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- Contents:
- Album of fifty folios of paintings and calligraphy.
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- Album of forty folios of paintings and calligraphy, assembled at Lucknow for Swiss mercenary Antoine Polier (d. 1795).
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- The second of two albums, with Indian Drawings 18, of disparate South Asian paintings, portraits, and calligraphy specimens.
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- Album of 40 calligraphy specimens primarily by Lucknow calligrapher Muḥammad ‘Ali Mīrzā given by Antoine Polier to Sir William…
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- An album of paintings and calligraphic specimens.
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- Gulistān-i Saʻdī ma’a sharḥihi li Sudī Saʻdī's Gulistān with a commentary by Sudī
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- The Tuḥfah-ʼi Sāmī (Gift of Sām), composed by Prince Sām Mīrzā (1517–1567) .
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- This composite manuscript, probably assembled in India, contains eight works on religious, linguistic and literary topics,…
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- An incomplete, undated, but probably 17th-century miscellany of Arabic and Persian devotional prayers and rituals combined with…
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- This very brief text identified as Niṣāb dar ‘Arabī va Turkī dar Naẓm-i Fārsī (Principles of Arabic and Turkish in Persian…
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- A collection of three works: two in Arabic on language and arithmetic, and a third in Persian on geometry.
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- Majmū‘ah-i ‘Uṣūl-i Fiqh (Compendium on the Principles of Islamic Jurisprudence), a composite volume of four texts.
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- A composite volume of works on palmistry , medicine, poetry, and ornate prose, mainly copied by Rājah Shīr Singh (fl. ca.…
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- A Persian manuscript on the history of India bound together with several printed Arabic, Persian, and Hindustani linguistic…
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- A collection of three different works.
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- Collectio 183 Epistolarum variis annis conscriptarum ad Viros toto Oriente celeberrimos Apollines Linguae Arabicae Thomam…
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- Fourteen documents and detached folios, mostly Persian, including several presented to Colonel George William Hamilton upon his…
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- 1 copy of Muntakhab al-lughāt by ʻAbd al-Rashīd ibn ʻAbd al-Ghafūr Tattavī, fl. 1653
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- 1 copy of Inscriptions from Agra, the Taj Mahall, the Moti Masjid, the Diwan-i Khass and the Great Gun
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- 1 copy of Kitab-i Haqiqat-i Chihrah-i Raudah-i Muqaddasah-i Mutahharah. (So at end) by Anon.